If you haven’t figured it out already, we’re big fans of regional flicks here on Video Junkie. Be it action, horror or sci-fi (no low budget comedies or dramas, thanks), we’re always down for some lo-fi cinematic madness. Of course, this is probably why we hate ourselves in the morning as more often than not they end up sucking. But every now and then you will pop in a flick that manages to push past its budget restraints and somehow entertain the hell out of you. A perfect example is COURIER OF DEATH. Made in Oregon by director Tom Shaw, this is the type of not-so-good action cinema that was produced on a budget that was probably 1/20 of the cost of craft services on AVATAR. But would I seriously watch this over some bloated James Cameron epic? Every freakin’ day, my friend!
COURIER OF DEATH centers on top-notch deliveryman J.D. Blackman (Joey Johnson). You know his life is hectic as the film opens with J.D. and his partner Frank in charge of delivering 7 million dollars and getting ambushed by some dudes who apparently all bought the same sweat suits outfits at Sears. To let you know what kind of movie COD is, the villains stand in plain sight when J.D. and Frank land at the airport and one of them is even on a walkie talkie right as the courier van zooms past them. Luckily for them our couriers aren’t as observant as the bad guys are obvious and the sweatpants mob isn’t noticed until they start open firing on the road. J.D. and Frank make it to wooded area and a firefight breaks out. Frank, who we barely got to know, buys it, but not before J.D. blasts a few dudes for good measure (Tom pointed out a particularly hilarious bit where a guy dives off a roof, but gently puts down his gun before falling off). Despite the villain’s snatching the secure briefcase (by blasting off Frank’s hand), J.D. manages to get it back thanks to his cannon of a gun that is as big as his head. Ah, such is the life of a courier.
You know what they say about men and their guns...
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Somehow this encounter leads J.D. to the house where Nancy is being held hostage. After freeing her from some more guys in sweats, she tells him that he needs to get Hayden. J.D. quickly locates this guy in a bar and proceeds to beat the crap out of him before Hayden says J.D. should locate an unnamed man in Ocean City. Good deal, J.D. will let you live. Oh, that is until Hayden bursts from the bar with a gun and J.D. shoots him in the crotch. The next day J.D. gets ready to fly to Ocean City with his pilot buddy (director Shaw, who uses his own plane in the film). The Colonel gives him another B&W picture and says, “This lady’s a direct link to the top man. Our intelligence indicates he’s one of these three.” Wait a sec…first the Colonel gives him four photos and J.D. kills one of the guys. Then the Colonel says his intelligence says it now one of these three men? Man the only thing worse than this Colonel’s “intelligence” is J.D.’s perception skills. Anyway, J.D. meets up with this chick Angel (Amy Sachel) and she proceeds to kick him in the balls a few times before J.D. kills her by inadvertently making her drink some poison champagne she had set aside for him. Jeez, am I still summarizing this movie? Okay, I’ll speed it up. J.D. gets the bonds back from Bigelow, who quickly dies of heart attack; J.D. contacts the Colonel and finds out he was using J.D. to get the bonds (shocker!) and the Colonel and the bonds are blown up in a car due to the briefcase being loaded with a bomb; finally, J.D. and grudge holding henchman Carver have a big ol’ fight on a mountain and J.D. wins. But not before an innocent family gets held hostage and shot. Damn, seems like J.D.’s luck is rubbing off on folks.
Okay, where do I start with a movie like this? I guess the lead is probably the best place. Joey Johnson as an action lead is quite amusing. He is about 5’2” on a good day and looks like the lovechild of comedian Paul Rodriguez and Alex Winter. Not only does he not encapsulate the 80s standard for action heroes (think Stallone or Schwarzenegger), but he also doesn’t get it on with the ladies. You read that right – he does not try to seduce the leading lady. I’m thankful for that because 1) I didn’t really want to see him in a lovemaking scene and 2) it gave audiences this glorious dialogue exchange when J.D. says he is going to take a shower.
Katie: “Can I join you?”
J.D.: “I’m not ready for that yet, but when
I am you’ll be the first one to know.”
I haven’t laughed that hard since Leo Fong turned down the advances of a topless Playboy Playmate in one of his flicks.
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Oh wow, just wow. This sound fantastic, on par with ROTOR? I'm all over it, thank you.
ReplyDeleteGreetings from Portland! I was stoked to find an ex-rental several years ago (remembering Shaw talking about it in the local press back in the day), and even more excited when I saw that my old boss Jim Caputo (RIP) not only played one of the toughs but also dubbed Shaw's performance! There is also at least one great shot of the (since demolished/rebuilt) Fox Theater on Broadway where I spent many an afternoon as a kid and even saw Nirvana play in Oct. '91, right before they blew up.
ReplyDeleteThanks for the comment, Ian. If you are looking for more Portland-sploitation, Shaw made another film called OPERATION TAKE NO PRISONERS (1987). The IMDb doesn't even have a listing for it, but you can find it on cheap DVD. Damn, I should review that.
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