If you were on the scene back in the early '90s you would have no doubt seen, or at least heard of, Alex Chandon. After creating quite a buzz with his admittedly derivative, but no less entertaining splatter shorts BAD KARMA (1991) and DRILLBIT (1992) Chandon got his shot at a DTV feature film and for some reason went for an intentionally over-campy, quasi-meta spoof of '70s sci-fi/fantasy soft-core films with PERVIRELLA (1997). This led to his career having a sudden case of extreme death... until 2001 when Chandon managed to get the widely hated (again) CRADLE OF FEAR released direct to DVD. Honestly, I couldn't be bothered with CRADLE, but for some reason seeing his name pop up another 10 years later with INBRED I had to look. I only have myself to blame.
A couple of social workers (James Doherty and Jo Hartley) take some juvenile delinquents out to the country to an abandoned cottage where they will be doing team exercises as part of their rehab. Of course as soon as the bus is in motion, the cliches start rolling in fast and furious. The house is a complete wreck, the locals are all weirdo hicks, the beer tastes like piss, the town has a dark secret and things are about to get very nasty. The locals, as it turns out are a bunch of inbred nutters that capture wayward travelers and put them in a raggedy vaudeville show run by the abusive town patriarch Jim (Seamus O'Neill) in blackface. Sure they like to eat human flesh (though this is never shown), but they like a good evening's entertainment too. Not a bad premise by any means.

That is not to say INBRED isn't gory, it definitely is. Plenty of CG and latex is slung about with wild abandon, but in this day and age, (as much as I hate to say it) it takes more than a CG exploding head to make a movie interesting, and quite frankly, unless you are doing CG and latex like ADAM CHAPLIN (2010), just stick with the latex please. Some of the gags are pretty impressive, but we've seen Chandon deliver bucketloads of practical effects in the past. I wish the lure of the CG siren wasn't so too difficult to resist. Even so, it's the lack of originality and the weak attempts at comedy that cause INBRED to falter.

Even worse, Chandon starts out on the right foot. The opening sequence is an 1800s period piece with a woodcutter who turns his axe on his employer. I was actually caught off guard by this, and while it is rather cheap looking, I thought it was a really refreshing concept. Seriously, nobody does low-rent period flicks anymore, unless they are doing some over-wrought '70s camp vehicle. I was enjoying it, until they pull out and show that it is just some old video nasty that the boys on the bus are laughing at while watching on their smartphone. The joke is on me, I guess. This is probably Chandon's best feature to date, so I figure at this rate by 2035 we will probably get a pretty good movie out of him. Or maybe he'll finish that period slasher flick. I was kind of enjoying that.
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