One of the great things about Roger Corman is never really sought to exploit any successes his various studios brought him. Haha, are you kidding me? Dude loved himself some money so if anything made him more than $10 you know he was all over trying to figure out how to make some more. When the CONAN rip-off DEATHSTALKER proved to be a surprise box office success, Corman made sure to get no less than 3 sequels out (we will be hitting those in a bit). But even before that he sought to cash in on certain elements of that film’s charm (including but not limited to Lana Clarkson’s breasts) by getting BARBARIAN QUEEN rolling on the same sets down in Argentina (hey, these things ain’t gonna use themselves).
BARBARIAN QUEEN opens with a peaceful village preparing for the wedding of Amethea (Clarkson) to town studmuffin Prince Argan (Frank Zagarino, PROJECT: SHADOWCHASER deity). Wouldn’t that make her Barbarian Princess? Oh crap…peaceful village…wedding day…damn, this place is fixing to get attacked any second now. Indeed, the henchmen of evil Lord Arrakur (Armando Capo) arrive on cue and start messing folks up. The village is torched and Argan watches as Amethea is burned alive in a hut before he and all the village men are taken away as a slaves. Honestly, he looks like he could care less and is probably angrier he is losing the catering deposit.
Hey, the flick only lasts 71 minutes so they gotta get moving. Of course, we can’t go offing our heroine right away so she survives and bands together with Tiniara (Susana Traverso) and Estrild (Katt Shea) to quickly save her (shell-shocked after being raped) sister Taramis (Dawn Dunlap). These four women warriors head off to Arrakur’s city in order to free the men. Wait a sec, that Boris Vallejo poster has 5 women warriors on it. I’ve been duped…let me speak to the manager!
Clocking in at a scant 71 minutes, BARBARIAN QUEEN is all business from the opening scene. I’m sure Corman got the wheels rolling on this the second he heard RED SONJA was getting made. And I actually prefer BQ to SONJA. I mean, this at least has nudity. Screenwriter Howard Cohen did nearly all of Corman’s b-movie barbarian flicks and they all seem to have pretty much the same plot (apparently lots of tournaments going on back in the day). Director Hector Olivera was a producer on DEATHSTALKER and he does a decent enough job here. The locations in Argentina definitely benefit the production as well. No, the attacks aren’t going to be on CONAN’s level and you won’t get any expertly choreographed battles. But it works for me as it is cheesy, sleazy and quick. Word of warning – the recent Shout Factory DVD (coupled with THE WARRIOR AND THE SORCERESS) offers a version that is ten minutes shorter and excises a lot of the violence and nudity. Uh, what’s the point?
The film’s biggest asset is obviously the alluring Clarkson. Not only is she easy on the eyes, but she has the acting chops to carry the film. Corman definitely knew what audiences liked from DEATHSTALKER and the Vestron VHS cover proudly declares “the blonde beauty of DEATHSTALKER is back!” (hey, how do audiences know they aren’t talking about Rick Hill?). She gives it her all, best showcased by her sword swinging skills during the fight scenes. Clarkson would return a few years later in the in-name-only sequel BARBARIAN QUEEN II (1992). In a perfect world, these films would be her legacy but that is, sadly, not the case. Clarkson is now more famous for being the shooting victim of asshole record producer Phil Spector. RIP Barbarian Queen.
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