Outside of knock offs, the other true measure of success is the parody. Dr. Jones and his adventures quickly became known worldwide and so that meant the character was ripe for the parody picking. Here we look at a few of the flicks that looked to exploit the good archeologist through humor.
CROCODILE JONES: THE SON OF INDIANA DUNDEE (1990) – Wow, this Filipino action-comedy looked to kill two 80s staples with one (big rolling) stone. Very little is known about this Vic Sotto vehicle and I can’t even find art for it. But I did manage to find this clip online and, if this is any indication, this is the greatest movie ever made!

Sadly, this movie introduced us to co-writer Keenan Ivory Wayans. Or, more appropriately, unleashed him onto the cinematic world. Now he is not a bad guy and I like his early flicks, but his 90s SCARY MOVIE output directly led to the crap parody movies like DATE MOVIE, EPIC MOVIE, WHATEVER MOVIE clogging up the movie going publics arteries. And we come full circle as DISASTER MOVIE (2008) featured Tony Cox as a pint-sized Indiana Jones who I’m sure gets thrown into a wall or kicked in the nuts (no, I haven’t seen it as even I have standards).

Interestingly, lead Bill Hudson was married to Goldie Hawn for three years in the 1970s and is the father of Kate Hudson. After he divorced Goldie, Bill married Cindy Williams (got a thing for funny chicks, Bill?) and the Hudson brothers planned to do another flick spoofing the Indiana Jones image called BOOMERANG with Williams in the lead. This trade ad ran in 1983, but the flick never got made. Deep down I am truly saddened.
NIGHT PATROL (1984) – This raunchy parody doesn’t actually have any Indiana Jones riffs in it, but the filmmakers did see fit to mention the film in a trade ad that spoof various hits at the time ("Even more action packed than RAIDERS OF THE LOST PATROL").
UHF (1989) – This is probably the defining send up of Dr. Jones to anyone from my generation. As a master of pop parody, “Weird” Al Yankovic made a career off of mimicking music culture. So the promise of a Weird Al movie made fans giddy with anticipation of what films he would skewer. Well, he delivered by opening with a pitch perfect satire of the opening of RAIDERS OF THE LOST ARK. From the Oscar statue idol to the endlessly chasing boulder, it is as fine scene as anything the Zucker-Abrahams-Zucker guys gave us. Revisit this classic bit below:
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